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Everything tagged craft, across every stream.

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Lagos Fashion Week turns 15 with a craft theme: more than 50 labels, Akwete weaving reworked and 'circular futures'

88Lately walks through the shows and designers day by day, from Orange Culture to the ALÁRA x Emmy Kasbit Akwete capsule.

Lagos Fashion Week ran Oct. 28 to Nov. 1, its 15th year since fashion entrepreneur Omoyemi Akerele founded it in 2011. Organised by Style House Files, this edition's theme was "CRAFTED: Heritage. Innovation. Circular Futures," putting traditional techniques such as weaving, dyeing, embroidery and beadwork at the centre, alongside reuse and less textile waste, 88Lately reports.

More than 50 labels took part. The main runway shows ran Oct. 29 to 31 at the LagosFW Tents at the Federal Palace Hotel on Victoria Island. Opening presentations on Oct. 28 included Sisiano's Spring/Summer 2027 collection "Some Birds Fly South", Orange Culture's "The In-Between", and "Akwete Reimagined", a capsule by ALÁRA and Emmy Kasbit built around Akwete, a traditional Nigerian woven textile.

Cascadic Analysis 1
Signal CheckDesigner-led, and craft you can trace

How much is substance, and how much is paid or hype?

This is a working trade platform for designers and buyers, not an influencer moment, though expect plenty of street-style posts. What holds up: named labels reworking traditional textiles like Akwete. What to check: 'circular' claims are a theme here, not an audited standard.

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Rabbit Holes 2
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Who owns India's weaving patterns when AI can copy them?

A careful report on handloom artisans, AI design tools and a copyright system that has no slot for communal motifs.

Al Jazeera reports on AI tools that can generate or reproduce traditional Indian textile designs, from a system built by Shillong professor Bitupan Deka to create new gamusa motifs, to the Rekh Sanganeri dataset of hand-block prints and Tata Consultancy Services' Bridgital Loom, which turns designs into loom instructions and is being piloted in Kanchipuram.

Artisans quoted are split: Bagru block-printer Dinesh Chhipa says he doesn't fault digital tools but asks that they stop borrowing regional names like Bagru and Jaipuri; Kanchipuram weaver Ananthalakshmi Vadivel says machine imitations "can never replace the original." The piece notes that India floated a "blanket licence" for AI training in December 2025, but that intellectual property law assumes a traceable author, while a motif is communal property.

Cascadic Analysis 1
UndertowRole underspecification / the Doorman Problem

What hidden risk could pull against this, even if the news is good?

Tata's Bridgital Loom turns a design into loom instructions, and Deka's system generates new gamusa motifs. What can be digitized is the pattern; the article's artisans point to what isn't: the regional names like Bagru and Jaipuri, and the communal ownership that intellectual property law, built around a traceable author, doesn't capture.

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Rabbit Holes 2
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Ladakh's Pashmina herders and weavers take the runway at Lakmé Fashion Week in Delhi

From Changthang's high pastures to the catwalk, with the herders who make the fibre at the centre.

Ladakh presented "The Fifth Season: A Fashion Story from Ladakh" at Lakmé Fashion Week x FDCI 2026 in New Delhi on October 18, with four local designers showing Pashmina, indigenous textiles and traditional craft, the Hindustan Times reports. The show centred on the Changpa pastoralists of the high-altitude Changthang plateau, who raise Changra goats, and the artisans, many of them women, who turn the fibre into textiles.

Lieutenant Governor Vinai Kumar Saxena said in a virtual address that growing recognition must benefit herders, weavers, craftspeople and women's self-help groups while preserving the authenticity of Ladakh's traditions.

Rabbit Holes 2
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"The Future Is Handmade" brings Indian craft to the first Kyoto YouMe Triennale

Five makers' takes on keeping a craft tradition alive by changing it.

Design Pataki Foundation is presenting The India Show at the inaugural Kyoto YouMe Triennale, at Jushin Kaikan in Kyoto from October 9 to 18, with support from India's Ministry of Culture. Under the theme "The Future Is Handmade," five practitioners (Sarita Handa, Ajay Arya, Dheerna Matsubara, Bijin Davis and Canna Patel) show textiles, furniture, architecture, interiors and ceramics. The report comes from the organizer's own publication.

Cascadic Analysis 1
Signal CheckWritten by the organizer

How much is substance, and how much is paid or hype?

This report comes from Design Pataki, whose foundation organized the pavilion, so treat it as an announcement rather than a review. The makers are working practitioners, and the show runs October 9–18.

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Dr. Martens tries to rebuild relevance without abandoning the boot that made it famous

The turnaround strategy is a case study in how a heritage product can chase younger consumers without erasing its identity.

Dr. Martens is pushing a brand reset after several difficult years, centering a new campaign on cultural figures including Chloë Sevigny, Naomi Watanabe and Jordan Stephens.

Why it matters

Heritage brands face a recurring problem: keeping the product recognizable while preventing the brand from becoming nostalgia.

Dr. Martens is leaning on its craft story, subcultural history and signature “bouncing soles” while experimenting with new product categories and more localized marketing.